Your Guide to Avoiding a Cringe-worthy Advertisement in 2019

With the recent backlash from the cringeworthy advertising campaigns created by Gillette, Pepsi, H&M and more, it’s never been clearer that many of the world’s top brands are out-of-touch with the general public. Despite the backlash campaigns similar to these have received in the past though, they keep happening, illustrating the divide even further.

On top of being just plain disingenuous or unethical, having cringeworthy ads can have big-time consequences on your bottom line and brand image, so taking every precaution you can to avoid putting one out into the world is worthwhile. Why?

For one, it’s important to know that millennials – a consumer group who hold over $200 billion in purchasing power in the United States alone – can smell inauthentic marketing from a mile away. This makes sense given both millennials and Gen Z grew up exiting out of spammy pop-up ads and skipping through YouTube pre-all ads, making it easy to tune out content that doesn’t add value to them.

Additionally, with the rise of the internet and social media, transparency has never been easier and secrecy has never been harder. Every person with a smartphone is a potential private investigator, ready to write a negative Yelp review or dig up dirt on companies if given a reason to. Smartphones are megaphones for consumers everywhere, and brands can get away with far less as a result. 

The next question becomes what brands and marketers everywhere can actually do to avoid creating a cringey ad. Here are a few places to start.

1. Just be yourself.

As corny and simple as this sounds, this principle can be an absolute game changer for your brand if you choose to apply it. When it comes to average consumers, particularly millennials, they just want to know the truth behind a brand. By lifting the veil and being authentic to your values and core beliefs, trust will naturally be built between your company and customers.

A home-run example of how letting it all hang can work wonders is Motel 6’s hilarious radio ad that targeted millennials. If you’re unfamiliar with the award-winning ad, the commercial sarcastically appeals to millennials because the narrator (an elderly man) noticed all the other brands were doing it. Throughout the spot, the narrator ironically uses phrases like, “lit”, “sus”, and “woke” to poke fun at how inauthentic and forced it is when other brands try to relate to millennials.

This is where Gillette and Pepsi, in particular messed things up. By being so over the top with their socially conscious campaigns, it was clear the brands were only creating the ads for their own self gain as opposed to genuinely supporting the causes themselves. 

2. Keep a close pulse on internet and popular culture.

I’ll never understand how many eye-rolls I get when I tell my readers how important pop culture knowledge is to being a kick ass marketer. Everything in marketing comes down to people and their behavior – and nothing is more indicative of what people are actually up to and interested in than internet culture.

To begin, start following popular meme accounts on Instagram like Daquan, Beige Cardigan and Barstool Sports. Instagram moves at the speed of culture, and when something goes viral across the internet world, accounts like these will be the first to notify the masses.

Additionally, take a few minutes per day to see what’s trending on Twitter. Scroll through and read what the majority of users are saying about the topic to get a general idea of what the public sentiment is around it. YouTube channels like The Breakfast Club are also terrific outlets for keeping a pulse on pop culture. 

3. Run your ideas by people outside your inner circle.

Before going all in and investing your resources into a campaign, it would be wise to run the idea by people outside your company’s “inner circle” or top decision makers to see if it resonates the way you’re hoping it will. Oftentimes, bad ideas are born and bred in the boardroom. Echo chambers exist inside companies just like they do on Facebook.

In fact, I can almost guarantee that if Gillette, Pepsi or H&M would’ve taken 2 extra minutes to run their ad ideas by one of their millennial entry level employees or their Gen Z interns, the concepts would’ve died then and there. 

In 2019, put your pride aside and invest time into scrolling through social media and becoming an aficionado with pop culture. The more you know what the public is actually saying and thinking, the more you’ll become aware of what the characteristics are for effective advertising in this day and age. Best of luck.

Jeff Bezos Letters Weren’t Extortion, David Pecker’s Lawyer Says

The lawyer for the chairman of the National Enquirer’s parent company said there wasn’t any blackmail, extortion or political motivations involved in the fight between the tabloid and Jeff Bezos, the founder of Amazon.

Photos and other details about Bezos’s extramarital affair came from “a reliable source” known to Bezos — and not from President Donald Trump, Saudi Arabia or Trump adviser Roger Stone, said Elkan Abramowitz, an attorney for David Pecker, chairman, chief executive and president of American Media Inc.

“It was a usual story that National Enquirer gets from reliable sources,” Abramowitz said on ABC’s “This Week” on Sunday. He didn’t name the source.

In a public blog post Feb. 7, Bezos published letters from lawyers representing AMI who demanded he drop a private investigation into the company — or else it would publish more embarrassing photographs about the wealthy businessman. Bezos accused the National Enquirer publisher of extortion.

Bezos’s post referenced Pecker’s connections with the Saudis and suggested more would come to light. The Amazon founder, who also owns the Washington Post, also appeared to be making references to that paper’s aggressive investigation of the murder of Jamal Khashoggi, who wrote for the paper, and the seeming reluctance of the Trump administration to hold Saudis responsible despite that assessment by the intelligence community.

“It absolutely is not extortion and not blackmail,” Abramowitz said. He suggested the letters were an attempt to resolve differences because Bezos didn’t want another story about him and AMI “did not want to have the libel against them that this was inspired by the White House, inspired by Saudi Arabia or inspired by the Washington Post,” the lawyer said.

A Saudi Arabian envoy, Adel al-Jubeir, said in an interview airing on CBS’s “Face the Nation” on Sunday that the kingdom had nothing to do with the leaks to AMI and “this sounds to me like a soap opera.”

Federal prosecutors are reviewing the National Enquirer’s handling of its story about Bezos to determine whether the company violated an earlier cooperation deal with prosecutors, according to two people familiar with the matter.

Bezos Blackmail Charge Intensifies Proxy War With Trump

AMI agreed not to commit crimes as part of that deal to avoid prosecution over hush-money payments to women who claimed relationships with Trump. Michael Cohen, Trump’s former lawyer, played a pivotal role in some of the payments and has pleaded guilty to related charges.

Asked whether he’s worried that the Bezos revelations have put the cooperation agreement in jeopardy, Abramowitz responded, “absolutely not.”

Abramowitz also said while AMI has sought financing from the Saudis, it “never obtained any, doesn’t have any Saudi Arabian finance.”

Bezos said last month that he and his wife, MacKenzie, were divorcing, in an announcement that came just hours before the Enquirer reported that Bezos had been having a relationship with another woman. Bezos hired a private investigator, Gavin de Becker, to learn how the texts were obtained and “to determine the motives for the many unusual actions taken by the Enquirer.”

The new Picasso? Meet Ai-Da the robot artist

FALMOUTH, England (Reuters) – Can robots be creative? British gallery owner Aidan Meller hopes to go some way towards answering that question with Ai-Da, who her makers say will be able to draw people from sight with a pencil in her bionic hand.

A woman interacts with Ai-Da, a humanoid robot capable of drawing people from life using her bionic eyes and hand, at the offices of robotics company Engineered Arts, in Falmouth, Cornwall, Britain February 7, 2019. Picture taken February 7, 2019. REUTERS/Matthew Stock

Meller is overseeing the final stages of her construction by engineers at Cornwall-based Engineered Arts.

He calls Ai-Da – named after British mathematician and computer pioneer Ada Lovelace – the world’s first “AI ultra-realistic robot artist”, and his ambition is for her to perform like her human equivalents.

“She’s going to actually be drawing and we’re hoping to then build technology for her to paint,” Meller said after seeing Ai-Da’s prosthetic head being carefully brought to life by specialists individually attaching hairs to form her eyebrows.

“But also as a performance artist she’ll be able to engage with audiences and actually get messages across; asking those questions about technology today.”

Her skeletal robotic head may stand disembodied on a workbench, but her movements are very much alive.

Cameras in each of her eyeballs recognize human features – she will make eye contact and follow you around the room, opening and closing her mouth as you do. Get too close and she’ll back away, blinking, as if in shock.

Ai-Da’s makers say she will have a “RoboThespian” body with expressive movements and she will talk and answer questions.

“There’s AI (artificial intelligence) running in the computer vision that allows the robot to track faces to recognize facial features and to mimic your expression,” said Marcus Hold, Design & Production Engineer at Engineered Arts.

Ai-Da’s makers are using “Mesmer” life-like robot technology for her head, and once finished she will have a mixed race appearance with long dark hair, silicone skin and 3D printed teeth and gums.

“(Mesmer) brings together the development of software mechanics and electronics to produce a lifelike face with lifelike gestures in a small human sized package,” Hold said.

Ai-Da will present her inaugural exhibition “Unsecured Futures” in May at the University of Oxford, and her sketches will go on display in London in November.

Reporting by Matthew Stock; writing by Marie-Louise Gumuchian; editing by John Stonestreet